MoMA PS1 to Present First New York Exhibition of Niki de Saint Phalle in Spring 2020

Moma Ps1 to Present First New York Exhibition of Niki de Saint Phalle in Spring 2020
Niki de Saint Phalle. Interior view of Empress, Tarot Garden, Garavicchio, Italy © 2019 FONDAZIONE IL GIARDINO DEI TAROCCHI. Photo: Peter Granser

MoMA PS1 will present the first New York museum exhibition of the work of visionary feminist and activist artist Niki de Saint Phalle (American and French, 1930‒2002). On view from April 5 to September 7, 2020, the exhibition will feature over 100 works created from the 1970s until the artist’s death, including sculptures, prints, drawings, jewelry, and archival material. Highlighting Saint Phalle’s interdisciplinary approach and engagement with key social and political issues, the exhibition will focus on works that she created to transform environments, individuals, and society.

Early in her career, Saint Phalle pushed against accepted artistic practices, creating work that used assemblage and performative modes of production. Collaboration was always central to her work, including several co-authored sculptures made with the artist Jean Tinguely. Beginning in the late 1960s, Saint Phalle starting making large-scale sculptures, which led to an expansion of her practice into architectural projects, sculpture gardens, books, prints, films, theater sets, clothing, jewelry, and, famously, her own perfume.

Niki de Saint Phalle. Book cover for AIDS, you can’t catch it holding hands. 1986. © 2019 NIKI CHARITABLE ART FOUNDATION. Photo: NCAF Archives

From this period forward, Saint Phalle also created a series of innovative works that reflect an ethos of collaboration and engagement with the politics of social space. Addressing subjects that ranged from women’s rights to climate change and HIV/AIDS awareness, Saint Phalle was often at the vanguard in addressing the social and political issues of her time. Her illustrated book, AIDS: You Can’t Catch It Holding Hands (1986), written in collaboration with Dr. Silvio Barandun, worked to destigmatize the disease and was translated into six languages.

Central to the exhibition is an examination of Saint Phalle’s large-scale outdoor sculptures and architectural projects, including three houses built for Rainer von Diez between 1969 and 1971; Queen Califia’s Magical Circle, a sculpture park in Escondido, CA; the monumental sculpture Le Cyclop in Milly-la-Forêt, France; Golem, a playground in Jerusalem; Noah’s Ark sculpture park in Jerusalem; and Le Dragon de Knokke, a children’s playhouse in Belgium.

Many of these ideas culminated in Saint Phalle’s central life project, Tarot Garden, a massive architectural park outside Rome, Italy, which she began constructing in the late 1970s and continued to develop alongside key collaborators until her death. Opened to the public in 1998, the garden and its structures, which are based on the Major Arcana of the tarot deck, allow for moments of interaction and reflection that underscore Saint Phalle’s use of art to alter perception. The exhibition will include photographs and drawings of Tarot Garden as well as models that Saint Phalle created for its various structures.

Niki de Saint Phalle. Photo de la Hon repeinte. 1979. © 2019 NIKI CHARITABLE ART FOUNDATION. Photo: Katrin Baumann

The exhibition is organized by Ruba Katrib, Curator, MoMA PS1.

Niki de Saint Phalle was born in Neuilly-sur-Seine, France and raised in New York City. In 1948, at age 18, she married the writer Harry Matthews. They moved to Paris in 1952, and shortly thereafter Saint Phalle was hospitalized for a nervous breakdown and began painting as a therapeutic activity. In the late 1950s, Saint Phalle met artist Jean Tinguely, an important collaborator whom she married in 1971. She was the only female member of the Nouveau Réalisme group with Tinguely, Arman, Christo, and Yves Klein, among others. In 1961, the first solo exhibition of Saint Phalle’s work was held at Galerie J, Paris. That same year, her work was included in the exhibition The Art of Assemblage at The Museum of Modern Art, New York. Saint Phalle was the subject of a retrospective at the Ulm Museum, Germany, and Centre Pompidou, Paris in 1980, and at the Kunsthalle Bonn in 1992. In 1994, she moved to California, where she lived until her death in 2002. Posthumously, her work has been the subject of major exhibitions at Tate Liverpool (2008); Grand Palais, Paris (2014); and the Power Station of Art, Shanghai (2018). Saint Phalle is represented in public collections including The Museum of Modern Art, New York; Musée d’Art Moderne de la Ville de Paris, Paris; Stedelijk Museum, Amsterdam; and Tate Gallery, London.

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